A PLAY by Barb and Carl

by Carlyle Brown
April 8-30, 2022

at Illusion’s New Home in the Center For Performing Arts
3754 Pleasant Avenue South Minneapolis 55409
Thursday-Saturday 7:30pm, Sunday 2pm

Photos by Alex Clark


What’s love got to do with it? Everything.

Kimberly Richardson and JoeNathan Thomas as Barb and Carl. Photo: Lauren B. Photography

Sometimes a play is more than just a performance: it’s a work of grief, questioning, processing, healing, and hope.

In March of 2017, nationally acclaimed playwright Carlyle Brown’s wife and dramaturg Barbara Joyce Rose-Brown had a stroke which left her with right side weakness and an inability to speak. A dramaturg had lost her access to language. A playwright had lost his dramaturg. As a way of working through their situation, as they had so often before, they decided to write a play. This is that play.

This powerful new work is about the aftermath of a healthcare incident and the loss of access to language. When communication as you know it is irrevocably changed, how do you deal with that? How does a marriage evolve?

This play is about that marriage. It’s a play about language beyond a spoken word, and it’s an unforgettable love story. This play directly speaks to anyone who has served as a caretaker, experienced a major health crisis, dealt with our country’s healthcare system, or simply loved someone. In other words, this play is a work for everyone.

Lifts the spirits and moves the soul.
— The Star Tribune
Sobering.
— TalkinBroadway.com
Truly beautiful.
— Cherry and Spoon
Alternately tough and tender.
— The Star Tribune
Beautifully wrought.
— TalkinBroadway.com
Excellent performances.
— Cherry and Spoon
“A must-see that stands out.”
— The Star Tribune
A dramatic love letter.
— TalkinBroadway.com
Carlyle Brown [is] prolific.
— Cherry and Spoon

Star Tribune The Best of 2022 Theater - Revelatory, moving performances
THEATER ROHAN PRESTON AND CHRIS HEWITT

9. "A Play by Barb and Carl." There was softness but scant sentimentality in Carlyle and Barbara Rose-Brown's autobiographical piece at Illusion Theater about a couple's love after a stroke. Kimberly Richardson, JoeNathan Thomas and Laura Esping kept us leaning in.

  • Opening Night Friday April 8 at 7:30 pm.

    Running:

    Saturday April 9th 7:30 pm

    Sunday April 10th 2 pm

    Thursday April 14th 7:30 pm

    Friday April 15th 7:30 pm

    Saturday April 16th 7:30 pm | Post Discussion

    (No performance Easter Sunday April 17)

    Thursday April 21st 7:30 pm | Post Discussion

    Friday April 22nd 7:30 pm

    Saturday April 23rd 7:30 pm

    Sunday April 24th 2 pm | Post Discussion

    Thursday April 28th 7:30 pm

    Friday April 29th 7:30 pm

    Saturday April 30th 7:30 pm closing

  • A Play by Barb and Carl runs 70 minutes with no intermission.

  • All tickets will be e-tickets.
    You will present your ticket to Box Office via your phone or a print at home ticket. In your order confirmation, there's a link that says, "View E-tickets." Click that link and you'll be able to view your tickets, print them, or present them to the box office.

    Please note:
    Seating is limited. Proof of vaccination is required to enter the theater. Masks are required indoors at all times. We will not sell concessions for this performance. There are no group sales for this series. At this time, seating will be General Admission. .

    Our staff and artists are fully vaccinated, our new building has a state of the art HVAC system, these protocols will be reviewed regularly and may be extended or relaxed at anytime, based on current conditions, and evolving medical information.

    Please contact us: if you need assistance,
    info@illusiontheater.org
    612-339-4944


With this play Illusion partnered with the Minnesota Brain Injury Alliance and the Minnesota Stroke Association. They provide resources for all people affected by brain injury and stroke including individuals, family and friends. They also offer training opportunities for the professionals who support them. They had Representatives in the lobby at every performance, distributed materials and participated in post-show discussions. We are grateful for the support of Mn Brain Injury Alliance and the MN Stroke Association and the services they provide our community reminding us that every person living with a disability due to a brain injury is deserving of respect, compassion and the same opportunities afforded all citizens.

For more information-braininjurymn.org


CAST AND CREW

Carlyle Brown, Andrew W. Mellon Playwright-in-Residence
Photo: Lauren B. Photography

  • Carlyle Brown is a playwright/performer, curator and artistic director of Carlyle Brown & Company based in Minneapolis. He is an alumnus of New Dramatists, a Life Time Core Writer at the Playwrights’ Center and recently a Mellon Foundation National Playwright in residence with Illusion Theater. His plays have been produced at theatres across the country and internationally and he has received numerous commissions, fellowships and awards. A scholar and historian, Brown has been an artist in residence or visiting professor at various colleges and universities and has worked as a museum exhibit writer and story consultant.

  • Kimberly Richardson is an actor, choreographer, and theatre maker with 20 years on the Twin Cities performance scene. A member of Ten Thousand Things’ Artist Core, Kimberly has appeared frequently with the company since 2008, in productions including Othello, Music Man, As You Like It, Dirt Sticks, and Scapin. Also a regular at Open Eye Figure Theatre, Kimberly performed/ developed My Life as a Fairytale and The Clumsy Man with Michael Sommers and The Red Shoes with Joel Sass. Other credits include: Red Bird Theatre, Children's Theatre Company, Workhaus Collective, History Theatre, Jungle Theater, TigerLion Arts, Interact Center, Live Action Set and Sodhouse Theater. Kimberly received a 2016-17 McKnight Theatre Artist Fellowship and a 2006 Sage Award for dance performance.

  • JoeNathan Thomas “Carl” is so grateful to be back at the Illusion for this incredible original story. Thomas has had the great fortune to have appeared on many Twin City and Regional stages. JoeNathan was most recently seen locally as Oliver Warbucks in CTC’s production of “Annie”, also “The Cradle will Rock” at Frank Theater, and “Tinker to Evers to Chance” at Artistry Theater. Recent film credits include Freestyle Film & Disney’s “Everyday St Nick”. There is no greater gift for an artist than to be trusted with the task of bringing to life, new, relevant, and vibrant characters to the American Theater Audience. A former Marine and native Texan, Thomas spends his offstage hours as a Professional Horseman.

  • Laura Esping is a Twin Cities actor and educator who has performed with many local companies including the Guthrie, Yellow Tree Theatre, Park Square, Pillsbury House, Full Circle Theatre, History Theatre, Old Log Theatre, Penumbra, The Jungle Theatre, Theatre de la Jeune Lune, In the Heart of the Beast Puppet and Mask Theatre, and At the Foot of the Mountain Women’s Theatre. As an educator, she has worked at the Guthrie in their summer camp programs, library programs, special community request classes, and acting levels I and II. Laura holds a BA from the University of Iowa and an MFA from the University of Minnesota. She is thrilled to be back at Illusion Theater with this show, these people and in this beautiful new space.

  • Rachel is thrilled to be with Illusion & Carlyle Brown again, after serving as stage manager for Acting Black a few years ago. In 2021, Rachel was a logistics coordinator for Minnesota community vaccination clinics. Recently she returned to touring with Cirque Mechanics, which pre-pandemic had enjoyed an off-Broadway residency. In the last year, she worked locally with Circus Juventas, Mu Performing Arts, and Alternative Motion Project. Selected stage management credits include Heaven, French Twist (Flying Foot Forum), Loyce Houlton’s Nutcracker Fantasy (Minnesota Dance Theatre), Hatchet Lady (Walking Shadow Theatre Company), SOLO (McKnight Foundation), In the Margins (THREADS Dance Project), The (curious case) of the Watson Intelligence (Park Square Theatre), Momentum: New Dance Works 2017 & 2019, CLIMB Theatre, and Four Saints in Three Acts (VocalEssence & Black Label Movement). Rachel earned her B.F.A. in Theatre Technology/Design from Minnesota State University, Mankato. "For my audience of one and for Kaela."