How many people are there, all having lodgment in the Human Spirit ?
Some say 2052.
— Orlando ....Virginia Woolf

Illusion Planet

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The William Inge Achievement in the  American Theater is awarded  to Carlyle  Brown


It  has been announced that playwright Carlyle  Brown is the recipient of this year's William Inge Distinguished Achievement in the American Theater Award. Carlyle  is a playwright, actor, and artistic director of Carlyle  Brown  & Company, which he founded in Minneapolis in 2002. Illusion has produced Brown's Finding Fish , Acting  Black.  The Festival will occur in Independence Kansas May 9th -May 12. 
Described by The New York Times as "one of America's more significant playwrights" he has a long and rich history of creating plays that dramatize historical events in a way that makes them accessible to present-day audiences.

Carlyle now joins a select roster of world-renowned playwrights who have traveled to the Inge Festival to receive the William Inge Distinguished Achievement in the American Theater Award. They include Arthur MillerStephen SondheimEdward AlbeeWendy WassersteinDavid Henry HwangTina HoweAugust Wilson, and Neil Simon, to name only a few.

The William Inge Theater Festival is named for the Pulitzer Prize and Oscar winning writer William Inge, a native of Independence, Kansas. T

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A Playwright- in- Residence Fund in  honor of James  Still at Indiana Repertory Theater

James Still, playwright of Miranda which premiered at Illusion in 2017 is celebrating his 20th  year as Playwright-in-Residence at Indiana Repertory Theater. To honor his 20th season, a $2.5-million donation was made to continue the residency program in perpetuity. This  fund will support future generations of playwrights.

James responded “This surprise announcement is wildly humbling and exciting as it celebrates both the past and the future....I am deeply grateful to the donors John and Sarah Lechleiter for recognizing the profound relationship between an artist, a theatre, and its community.”

We salute James Still.

Illusion & Stepping Stone Emergency Housing

In  March lllusion Theater presented  "The Other Side of the  Pencil "  for the Stepping Stone ending homelessness organization in Anoka Minnesota..For this year's Fund raising  Event, they asked Illusion to be apart of  Real Stories/One Stage   where  Illusion would  tell several of the Stepping Stones' residents'  stories. Beth Gilleland,  Bonnie Morris ,and Michael  Robins interviewed Stepping Stone Emergency Housing residents .After listening to their stories Beth penned the  script and she was joined by Terry Hempleman, John Stephens, Trudy Monet, and Laura Esping  for the  performance.  The event raised $35,000,  we  have received word that the residents we portrayed in the script have moved forward  since  we  collected their stories. One is in her own apartment and is on her way to  getting her GED, another is working to  get his license to  be a  chemical dependency  Counselor, and  another just was hired by Project for Pride in Living.    


Shining From the Inside Out

"Sam is a light — he's someone who's shining from the inside out"

I wrote that about Sam when Illusion produced his play Same Difference. Later we taught a class at South High together, later still, we commissioned Sam to write his own story about surviving childhood leukemia.

Samuel G. Roberson Jr. passed on May 21, 2017. He was 34 years old. Sam was a vital part of the Twin Cities theater community - here at Illusion, CTC, Pillsbury House, before heading to Chicago where he worked as an actor at the Goodman, Steppenwolf, and Victory Gardens, eventually becoming the Artistic Director of Chicago’s Congo Square Theatre.
We first met Sam through his play, Same Difference, a story of two young black men, Anthony and Jahmal, from very different backgrounds who are thrust together as freshman college roommates. The show exposes the stereotypes and expectations the men have of each other as they struggle to define themselves. We invited many high school students who talked afterwards with Sam; he spoke frankly to the students about the confusion of messages laid on young kids coming up. At the time Sam wrote, “I’m still wrestling with the idea of an authentic identity. It’s hard for a young man to be himself. What does it mean to keep it real? How do I act at home, at work, with the fellas? The play is a result of all these questions.
We introduced the show to the organization Diversity in Practice, a nonprofit association comprised of the leading Twin-Cities legal employers whose mission is to build diversity in our legal community. DIP had us perform Same Difference as a CLE training for their lawyers and judges, which led to them talking frankly and honestly about misperceptions about black identity that have surfaced in the Minnesota judicial system.

Illusion then commissioned and presented a story Sam told us he needed a deadline to complete -- - it was story he knew he had to tell. “And they said I wouldn’t make it…A Story of Hope” is the story of Sam and his family’s struggle when, as a child Sam was diagnosed with leukemia. Sam’s father and mother were young parents, they had never heard of a youngster having cancer, you had to be old to get cancer. They also had never heard of a black child getting cancer. That just didn’t happen. As an eight year old Sam would step up to the plate and believe he was going to hit a home run, his father had taught him -- if you conceive a thought and you can believe a thought, you can achieve a thought. This same conviction and determination is how Sam and his family fought and won the battle with leukemia.

In addition to And they said I wouldn’t make it performances here at the theater, through our Board, Don Brunnquell arranged for Sam to perform this play at the Minneapolis’s Children’s Hospital for the Doctors, Nurses, Staff, Parents and Patients in the Oncology Department. Eventually Sam performed it at the Minneapolis Hilton to over one thousand people at the National Bone Marrow Conference.
At that time Sam asked me to write a Letter of Recommendation for a Fellowship, I wrote about Sam’s performing to this huge hotel room of an audience -- - “Sam is totally at ease center stage. He is funny, wise beyond his years, an audience immediately senses his warmth, and becomes engaged in his story. But he is also that rare performer who can suddenly step to the side, and let the light shine on another—a kid with leukemia, a doctor who is struggling with how to talk to his patients, a father who has just comprehended what his child’s diagnosis means. Sam listens, and encourages others to tell their story. In the piece Sam says “I write this story for all the young black children with cancer who never saw a cancer success story to give them hope. I write this story because it hasn’t been told.

I continued in my letter, “When his performance ended I saw him greet every audience member who came up to him, with his big, open heart, each audience member telling him how his story was their story. Sam never tired, passing that same hope forward to each and every audience member. ”

In 2016, that big open heart wore out; he gratefully received a new heart and kidney. We all believed he would once again “conceive, believe and achieve” health. But it was not to be. We are grateful for the light Sam always shined out – in everything he did. We will send love and light to his wife Ashley, his father, mother, sisters, grandparents, his family who were there for him at every step of the way. Rest in Peace Sam.

Bonnie Morris



Remembering Edgar Davis

Edgar Davis passed recently. Edgar was a member of the Illusion Theater Company, he toured and directed TOUCH at many of our Peer Education sites. Currently he was living with the love of his life, Shari Cornish, in Vermont. Our condolences to Shari and his family and the community in Vermont where he lived, where he was a substitute teacher, and ran a store called The Whistle Emporium.

Nancy Riestenberg offered some memories of her times with Edgar

 "Edgar and I trained high school students in TOUCH.   We traveled to Nebraska and Montana, trips that took time to get there, and so afforded lots of conversation and storytelling.  He told me of his mother and father, both preachers, of art school and hip hop ( a new topic for me in 1992). He was the best partner, not only for the Illusion trainings but in traveling. 

We went to Lincoln on a small plane with propellers, my 6 month old daughter in tow.  As you might imagine, her ears did not like the change in air pressure.  Edgar was right there, fending off angry looks from other passengers with his quiet countenance and gentle smile, explaining the difference between circuit riding preachers and ones with a church, keeping me focused and unruffled. 

 When we went to Montana, we were in the northeastern part,  where the land is a gentle undulate of prairie, cut up by straight roads and telephone lines, vast.  I tried to show the quiet beauty of the place, but my pictures showed brown lumps and a grey horizon.  Kind of like mud.  His pictures used the telephone poles to show near, far, contrast, grace, impact.  That is why I left the direction of the play up to him, and kept the sex facts as my part.  The play was the thing, after all, and needed an artist.

 Gentle passion, graceful focus, practical artistry.  Edgar Davis.


 Nancy Riestenberg is now the Restorative Practices Specialist for the State of Minnesota. 

She worked at Illusion from 1982-  1994.